voice and folk songs which remind me Laura Veirs.
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Rls Name: Agnes_Obel–Philharmonics-2010 -KRATOS Artist: Agnes Obel Title Of Album: Philharmonics Year Of Release: 2010 Label: Pias Recordings Genre: Indie Agnes Obel – Philharmonics (2010 ) » download by agnes-obel-philharmonics-2010 12.Discography Agnes Caroline Thaarup Obel (born 28 October 1980 in Gentofte, Copenhagen is a Danish singerHer first album, Philharmonics, was released by Agnes Obel – Philharmonics (2010 ) | Alex Music blog 2010 agnes-obel-philharmonics-2010.
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If youre expecting good soundquality, then DONT download this piece of crap!Īgnes Obel - Philharmonics (2010 ) agnes phila.html Agnes Caroline Thaarup Obel (born 1981) is a Danish singerHer first album, Philharmonics, was released by PIAS Recordings on 4 October 2010 in Denmark Agnes Obel - Wikipedia, the free encyclopedia en.Agnes _ Obel Life and career Its clearly a mp3 rip converted to FLAC or something… Perhaps on her next album miss Obel will contract some better sound engineers. It appears that all sources have this problem, which leads me to believe that the original recording levels at the studio were not properly monitored and adjusted.Īll songs are near distorting, but all songs besides track one are still perfectly enjoyable. I agree that the recording quality could have been better (especially the first track). Obel’s sedative tones are the constant, and though Philharmonics’ deliberate arrangements veer close to the lugubrious at times, they’re capable of some genuinely mesmeric turns. Just So is the track in question, and while its bright melodies and straightforward lyrics sit at odds with the surrounding, songs like this and Brother Sparrow do furnish Philharmonics some much-needed lightness.Įlsewhere, the title-track engages and unsettles in equal measure, returning to the theme of inescapable tides that opened the album (its first line is particularly striking – “Guess who died last night,” Obel coos), while Over the Hill is probably the most traditionally pretty song at a slight three minutes. Oddly for an album that dabbles in such twilit, shadowy waters, it supplied communications giant Deutsche Telekom with music for their recent advertising campaign in Germany, which is where the Copenhagen-born Obel now resides. Such elements as percussion and auxiliary instrumentation rarely impinge on these songs, and when they do it is sometimes difficult to tell (one notable exception being her meditative cover of John Cale’s I Keep a Close Watch, here simply titled Close Watch). But where that record generally eschewed structure in favour of dark flights into the surreal, Obel keeps things tight and lean here. Philharmonics is a resolutely early hours affair a kind of Scandinavian counterpart to theduo Felix’s wonderful You Are the One I Pick of last year. Entirely built around piano and voice, its soft pleas for solitude and escape are utterly disarming, Obel’s mournful lyric as chilled as the body of water she’s inexplicably drawn to. A case in point is Riverside, which follows the instrumental Falling, Catching as the first song proper. It is highly advisable you do so: the compositions that lie within are slow, sombre, sepulchral even, but not without a sense of occasionally singular beauty. Such is the exceptionally sparse nature of Agnes Obel’s debut album that it slips by almost unnoticed lest you lend it a distraction-free, focused ear. Audio > FLAC Agnes Obel…Philharmonics(2010)
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